One fateful day in Paris we visited four museums. We started with the Louvre, moved on to the Musée d’Orsay, then hit the Picasso Museum, and finished of with the Center Pompidou. By far my favorite was the Picasso Museum. Not only was it small enough to get through without too much effort, I found out that Picasso was the founder of my favorite form of art; the collage.
In NYC I like the Guggenheim simply because you can see everything in it in about two hours. Museums that are grand in scale intimidate me. The competitive person inside me treats large museums as a contest: so you think you are too big for me? At museums like the Louvre and the MET I get my physical and mental butt kicked. I have high expectations of seeing as much as possible and I always leave drained.
The Picasso Museum was refreshing because after a leisurely hour and half, we had seen everything. The museum is located in an old hotel and had a very friendly feel to it.
But while what was inside the Picasso Museum impressed me the most, the exterior of the Center Pompidou blew me away. The Pompidou is the equivalent of MOMA in NYC but the architect went out on a limb and left the skin of the building off. It’s probably the coolest and most creative concept I have ever witnessed. Who would have ever thought the things you normally want to cover, pipes, vents, stairs and such, would give a building a unique identity like none other?


The piece of art that had the greatest impression on me was one which at first caused me to scratch my head. As you can see below, it was large wicker airplane with all sorts of sharp object stuck into it.


At first I did not understand the meaning of it, but then I read the description. The artist was struck by the fact that our “advanced” civilization has reached the point where we cannot even trust people to bring sharp objects on to planes. Thus the artist was able to get thousands of sharp items that were confiscated as a part of airport security measures for the project. Quite a stunning commentary to me.